The rapid rise from the fifth to the third tier of the English league system is only part of the Hollywood A list owners’ impact in Wrexham, as an expected balance sheet of £20million-plus for the current season will show when the club’s 2023-24 accounts are published some time next spring. They’ve also infused the town with a hope and sense of pride that had been eroded following the closure of traditional local industries such as the coal mines and steelworks.
What nobody truly knows, though, is just how far up the
football pyramid their Hollywood-star owners can take a club whose highest-ever
league finish in their 159-year history is a relatively modest 15th in the
second tier in 1978-79.
The ambition is there.
Reynolds made that much clear before a televised FA Cup fourth-round
tie against Sheffield United in January 2023. “In 10 years’ time, the plan has
and always will be the Premier League,” said the 47-year-old Canadian, who
plays the title character in the Deadpool comic-book movie franchise.
Fifteen months on, that dream is two steps closer to being
realised than it was at the time, thanks to back-to-back promotions under
manager Phil Parkinson. A year from now, it might be one step away — UK
bookmaker SkyBet having already made Wrexham 5-2 favourites to secure
a third promotion in a row, despite nobody yet knowing which 23 clubs will be
with them in League One next season.
But, as those eye-watering financial losses suffered by the
clubs who won automatic promotion from the Championship last season
underline, if the top flight is to be the club’s destiny, then it is more than
likely going to cost a lot of money. And by “a lot”, we mean a lot more than
surely Reynolds and McElhenney initially envisaged committing to a project that
was always tied to the making of a documentary series about it, Welcome To
Wrexham.
The pair paid £2million to buy the club from the supporters’
trust in February 2021. Significant further investment has followed, both in
the playing squad to help return Wrexham to the EFL, a level they had last
played at in 2005, and on bigger expenses, such as purchasing the freehold to
the club’s Racecourse Ground stadium from Wrexham Glyndwr University.
Much of this has come in the form of loans. The available accounts show Wrexham owe
£8.977million to RR McReynolds Company LLC (up from £3.714m the previous year).
An interest rate of three per cent over the Bank of England base rate
(currently 5.25 per cent) is charged on these loans, meaning Wrexham paid
£413,789 in interest during that last financial year (around £8,000 per week).
Just what happens to these loans in the future remains to be
seen. But their presence on the balance sheet shows that as brilliantly
transformative as this period has been for a previously struggling provincial
football club and its surrounding area, this is still a business.
Such is the arms race behind the push for the vast riches of
the Premier League that it wasn’t just Sheffield United and Burnley who
incurred huge losses in 2022-23.
Hull City, for instance, lost £21million when finishing only
15th out of the division’s 24 clubs, while Queens Park Rangers (£20.3m), West
Bromwich Albion (£11m) and Millwall (£13.7m) all posted
substantial deficits despite also finishing outside the play-offs.
The previous year brought a similarly grim tale with finance
experts Deloitte putting the combined losses for the Championship’s clubs at
£361million: an average of £15m each.
Reynolds and McElhenney, writer and star of sitcom It’s
Always Sunny In Philadelphia, have developed an emotional bond with Wrexham.
They are also committed to sticking around to push the club further and further.
But how can they achieve that without opening themselves up to the sort of
financial losses that litter the Championship?
The answer, it seems, lies in selling off minority
shareholdings to individuals or groups willing to take a chance on this current
upward trajectory being maintained. All the while ensuring the two actors
remain the public face(s) of the club.
And when it comes to Wrexham, finding willing investors
shouldn’t be too difficult. The
Emmy-award winning documentary series about the club has brought such a global
spotlight that Google recently proclaimed Wrexham to be more popular in the
United States than every team in its domestic top-flight Major League
Soccer (MLS), except for footballing megastar Lionel Messi’s Inter Miami. Once again globalisation is a force in
football.
One of the challenges will be building a ground that can
generate more match day revenue, particularly from luxury seats and
hospitality. The geography may not help
there, but many doubters would have said that before this journey started. Unlike some American owners, there is a real
emotional commitment here aligned with good business sense.
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