The Lewis family have injected another £100 million ($132m) into Tottenham Hotspur. The injection, via the purchase of new shares in ENIC Group Ltd., will provide fresh working capital for the club, rather than being specifically for the summer transfer market. The investment is the fourth such equity injection in recent years, and is a similar mechanism to the investment of £100m last year.
Since May 2022, £332.5m in owner funding has flowed into the
club. That is a stark departure from the
two decades prior. Then, net funding from ENIC totalled just £24.6m, with Spurs
being run, to all intents and purposes, off its own back. Huge debt was taken
on board to build the Tottenham Hotspur Stadium, but the club was — and still
is — required to service the payments.
Alongside the October injection, Spurs also pulled forward a
reported £90m of its Premier League distributions in a factoring arrangement,
whereby they received cash upfront from a lender in exchange for taking a
haircut on the payments when the Premier League makes them. It is an
arrangement employed fairly regularly elsewhere but never before at Spurs, and,
alongside the ENIC money, spoke to a club in need of funds.
That stems from hefty operating costs and big recent
transfer spending, which have in large part not translated to on-field success.
Between the summer of 2019 and the end of last season, roughly £900m net has
been spent on transfers.
At the end of June 2025, a net £243m was owed to other clubs
even before £159m was spent last summer. Already this close season, £52m has
gone on Van Hecke, and the free transfers of Robertson and Senesi were hardly
small additions to a wage bill which has previously been held at a level south
of England’s elite. Big money moves for Fernandes and Tonali have been mooted
and would need to be funded.
With no Champions League football this coming season and
Premier League earnings mired at the wrong end following two awful domestic
showings, ENIC had a choice: invest to improve, or make do. The route selected
should be of little surprise.
Family sells art
Four masterpieces of the “School of London” movement have
come to light at auction, confirming years of rumours about the art
collection of a British billionaire who grew up in poverty in the East End.
Two works by Lucian Freud, one by Francis Bacon and one by
Leon Kossoff are to be sold by Joe Lewis, a currency trader whose family
control Tottenham Hotspur. It is the first time Lewis, 89, who narrowly escaped
a prison sentence two years ago after admitting insider trading, has identified
himself as the vendor.
The pieces, with a combined estimate of nearly £30 million,
are described as the “bedrock” of Lewis’s collection, which has spent much of
the past three decades on his £98m superyacht, Aviva.
Oliver Barker, the chairman of Sotheby’s, said that
identifying Lewis as the vendor pointed to the family’s pride in their
ownership of works of “this kind of quality”. He said that Lewis, who was born
above the Roman Arms pub in Bow, east London, and left school at 15 to join his
father’s catering company, had felt an affinity with the artistic school
associated with his birthplace and many of whose members had Jewish roots like
himself.
Barker said that the sale was the “holy grail” for buyers
because the pieces were “first-rate works with an absolutely first-rate
provenance and which are completely fresh to market with modest estimates
attached”.
Lewis’s children are thought to increasingly control the
family’s businesses, and Barker confirmed that Vivienne, in particular, was a
driving force in the family’s art collection. She was “extremely actively
involved in the art scene”, he said, adding that the family were still buying
works.
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